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Palgrave Macmillan
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Mobility and the Hotel in Modern Literature

Passing Through

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  • © 2019

Overview

  • Brings together mobilities studies, spatial studies, gender studies, and literary geography
  • Contributes to theories of narrative and form in modernist literature
  • Historicizes the hotel in British fiction

Part of the book series: Studies in Mobilities, Literature, and Culture (SMLC)

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Table of contents (7 chapters)

Keywords

About this book

This book considers the complex ways in which the hotel functions to express the shifting experiences of modernity in the works of such authors as Anthony Trollope, Wilkie Collins, Arnold Bennett, H.G. Wells, and Elizabeth Bowen. The text contributes to the critical debates on nineteenth- and twentieth-century literature concerning space, movement, and mobility, arguing that the hotel reconfigures boundaries of modernist, middlebrow, and popular fiction. Drawing on a range of interdisciplinary theoretical and analytical perspectives, the book provides a critical and cultural history of the hotel in British literature, charting its changing nature and usage from the mid-nineteenth century up until the interwar period.


Reviews

“This engaging, original study takes a fresh approach to questions of subjectivity and space in modern writing by examining how British novelists responded to the rise of a new social institution: the hotel. Short’s book is itself a model of intellectual mobility as it weaves elegantly between literary, philosophical, and historical registers. Treating a wide range of authors from Bennett and Wells to Bowen and Woolf, Short reimagines how modern fiction explores questions of social class, status, nationality, and gender.” (Adam Parkes, Professor of English, University of Georgia, USA, and author of A Sense of Shock (2011))

Authors and Affiliations

  • Durham University, Durham, UK

    Emma Short

About the author

Emma Short is a Teaching Fellow at Durham University, UK. She has published two edited collections: Children’s Literature and Culture of the First World War (2016), and The Female Figure in Contemporary Historical Fiction (Palgrave, 2012).



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