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Palgrave Macmillan
Book cover

Reading Uncreative Writing

Conceptualism, Expression, and the Lyric

  • Book
  • © 2017

Overview

  • Provides a new perspective on contemporary accounts of the lyric poem
  • Analyzes the often controversial points of view surrounding uncreative writing
  • Explores Neo-Conceptualist writings relationship with aesthetics and affect
  • Includes supplementary material: sn.pub/extras

Part of the book series: Modern and Contemporary Poetry and Poetics (MPCC)

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Table of contents (6 chapters)

Keywords

About this book

This book examines Uncreative Writing—the catch-all term to describe Neo-Conceptualism, Flarf and related avant-garde movements in contemporary North American poetry—against a decade of controversy. David Kaufman analyzes texts by Kenneth Goldsmith, Vanessa Place, Robert Fitterman, Ara Shirinyan, Craig Dworkin, Dan Farrell and Katie Degentesh to demonstrate that Uncreative Writing is not a revolutionary break from lyric tradition as its proponents claim. Nor is it a racist, reactionary capitulation to neo-liberalism as its detractors argue. Rather, this monograph shows that Uncreative Writing’s real innovations and weaknesses become clearest when read in the context of the very lyric that it claims to have left behind.

Authors and Affiliations

  • George Mason University, Fairfax, USA

    David Kaufmann

About the author

David Kaufmann teaches literature at George Mason University. He is the author of The Business of Common Life (1995) and Telling Stories: Philip Guston’s Later Works  (2010), as well as a number of articles on poetry and theory.

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