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Palgrave Macmillan

Surrogacy and the Reproduction of Normative Family on TV

  • Book
  • © 2019

Overview

  • Marks the first book to focus on the representation of surrogacy on TV
  • Takes a multi-disciplinary approach, using queer theory to explore the representations of heterosexual female infertility
  • Includes textual analysis in dialogue with audience work

Part of the book series: Palgrave Studies in Science and Popular Culture (PSSPC)

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Table of contents (6 chapters)

Keywords

About this book

This book examines the proliferation of surrogacy storylines on TV, exploring themes of infertility, motherhood, parenting and family. It investigates how, despite reproductive technologies’ ability to flex contours of family, the shows’ narratives work to uphold the white, heterosexual, genetically-reproduced family as the ideal. In dialogue with responses from a range of female viewers, both mothers and non-mothers, the book scrutinises the construction of family ideology on television with studies including Coronation Street (1960-present), Giuliana & Bill (2009-2014), Rules of Engagement (2007-2013), The New Normal (2012-2013), Top of the Lake: China Girl (2017) The Handmaid’s Tale (2017-present) and film Baby Mama (2008). These studies raise a number of questions; is homosexuality only acceptable when it echoes heterosexual norms? Are female characters only fulfilled when they are genetic mothers? Does heterosexual romanceoverride technology in the cure for infertility? While the answers to these questions may suggest that television still conforms to heteronormative narratives, this book importantly demonstrates that audiences desire alternative happy endings that show infertile female characters more positively and recognise alternative kinship formations as meaningful.

Reviews

“Drawing on a rich archive of feminist scholarship, this timely and original analysis of repro-TV dramas and new ways of baby-making unpacks the normative scripting of (in)fertility journeys and makes a powerful and persuasive case for new plotlines in popular culture and beyond.” (Sarah Franklin, University of Cambridge, UK)

“When and how did the foetus become a commodity? When and how did motherhood become sexualised? When did having children become a socially necessary compulsion? This book offers a great read to answer these and many more questions, showing how a sensationalised emotional space of anxiety, insecurity, desperation and incompleteness is produced by TV to shape our expectations of future family life. But does it succeed?”  (Beverley Skeggs, London School of Economics, UK)

“This book is a significant and indeed seminal volume on the representation of surrogacy and third party reproduction on screen. The ways in which the author and the audience make sense of the depiction of surrogates, intended parents and the much longed for biological child is a must read for those researching from within the fields of motherhood, film, television and media studies.” (Rebecca Feasey, Bath Spa University, UK)

“Sparkily written, perceptive and illuminating, this is a fascinating and original contribution to the burgeoning academic literature on representations of family and motherhood. Lulu Le Vay’s book incisively analyses both the place of surrogacy in contemporary culture and TV’s fascination with it. In the process, it argues convincingly that both media and academia cultures need to make much more space for the diversity of what ‘a family’ can mean.” (Jo Littler, City, University of London, UK)

“Le Vay’s timely book explores representations of surrogacy and motherhood in the media. Through a series of close analyses of TV programmes such as The New Normal and Rules of Engagement and film Baby Mama, she explores not only the anxieties surrounding infertility and the impact of reproductive technologies, but also the ways that these anxieties reflect the changing shape of family in modern life. Drawing on queer, affect and feminist theory, and through the use of focus groups, Le Vay offers an original and compelling interpretation of issues around surrogacyin popular culture.” (Kristyn Gorton, York University, UK)

Authors and Affiliations

  • London, UK

    Lulu Le Vay

About the author

Lulu Le Vay is a Visiting Lecturer and Module Leader for University of West London, Roehampton, and University of Westminster, UK. She is also a professional DJ and music consultant who performs regularly at art happenings and exclusive music events across the UK and globally.

Bibliographic Information

  • Book Title: Surrogacy and the Reproduction of Normative Family on TV

  • Authors: Lulu Le Vay

  • Series Title: Palgrave Studies in Science and Popular Culture

  • DOI: https://doi.org/10.1007/978-3-030-17570-2

  • Publisher: Palgrave Macmillan Cham

  • eBook Packages: Literature, Cultural and Media Studies, Literature, Cultural and Media Studies (R0)

  • Copyright Information: The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerland AG 2019

  • Hardcover ISBN: 978-3-030-17569-6Published: 03 June 2019

  • Softcover ISBN: 978-3-030-17572-6Published: 14 August 2020

  • eBook ISBN: 978-3-030-17570-2Published: 23 May 2019

  • Series ISSN: 2731-4359

  • Series E-ISSN: 2731-4367

  • Edition Number: 1

  • Number of Pages: XIX, 258

  • Number of Illustrations: 1 b/w illustrations, 5 illustrations in colour

  • Topics: Screen Studies, Culture and Gender, Family

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