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The Theatre of Romeo Castellucci and Socìetas Raffaello Sanzio

From Icon to Iconoclasm, From Word to Image, From Symbol to Allegory

Palgrave Macmillan

Authors:

  • Includes first-hand interviews with the legendary theatre director Romeo Castelluci
  • Provides focused and insightful analysis of Castellucci's and the Societas Raffaello Sanzio key works from the 1980s onwards
  • Offers a refreshing alternative perspective to those presented in current scholarship on Castelluci

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Table of contents (6 chapters)

  1. Front Matter

    Pages i-viii
  2. Introduction

    • Dorota Semenowicz
    Pages 1-12
  3. The Khmer Theatre

    • Dorota Semenowicz
    Pages 13-49
  4. An Open Image

    • Dorota Semenowicz
    Pages 51-97
  5. From Mysteries to Tragedy

    • Dorota Semenowicz
    Pages 99-154
  6. Conversations

    • Dorota Semenowicz
    Pages 155-194
  7. Epilogue

    • Dorota Semenowicz
    Pages 195-204
  8. Back Matter

    Pages 205-235

About this book

This book focuses on Romeo Castellucci’s theatrical project, exploring the ethical and aesthetic framework determined by his reflection on the nature of the image. But why does a director whose fundamental artistic tool is the image deny this key conceptual notion? Rooted in his conscious distancing from iconoclasm in the 1980s, Castellucci frequently replaces this notion with the words ‘symbol’, ‘form’ and ‘idea’.

As the first publication on the international market which presents Castellucci’s work from both historical and theoretical perspectives, this book systematically confronts the director’s discourse with other concepts related to his artistic project. Capturing the evolution of his theatre from icon to iconoclasm, word to image and symbol to allegory, the book explores experimental notions of staging alongside an ‘emotional wave’, which serves as an animating principle of Castellucci’s revolutionary theatre.

Authors and Affiliations

  • Teatr Narodowy, Warsaw, Poland

    Dorota Semenowicz

About the author

Dorota Semenowicz is a graduate of the University of Paris III Sorbonne Nouvelle, France, with a PhD in humanities from the Jagiellonian University in Krakow, Poland. She works in the Dramaturgy Department of the National Theatre in Warsaw and in programming for the Malta Festival Poznań. She has edited essay collections on Rodrigo Garcia, Flemish theatre, the relationship between aesthetics and ethics, and publishes articles and reviews about contemporary theatre.

Bibliographic Information

  • Book Title: The Theatre of Romeo Castellucci and Socìetas Raffaello Sanzio

  • Book Subtitle: From Icon to Iconoclasm, From Word to Image, From Symbol to Allegory

  • Authors: Dorota Semenowicz

  • DOI: https://doi.org/10.1057/978-1-137-56390-3

  • Publisher: Palgrave Macmillan New York

  • eBook Packages: Literature, Cultural and Media Studies, Literature, Cultural and Media Studies (R0)

  • Copyright Information: The Editor(s) (if applicable) and The Author(s) 2016

  • Hardcover ISBN: 978-1-137-56965-3Published: 11 February 2017

  • Softcover ISBN: 978-1-349-95405-6Published: 15 July 2018

  • eBook ISBN: 978-1-137-56390-3Published: 09 February 2017

  • Edition Number: 1

  • Number of Pages: VIII, 235

  • Number of Illustrations: 4 b/w illustrations, 9 illustrations in colour

  • Topics: Performing Arts, Theatre History, Theatre and Performance Studies, Arts

Buy it now

Buying options

eBook USD 109.00
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book USD 139.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book USD 139.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Other ways to access