Overview
Draws together essays on arts, humanities, engineering, and medicine to comment upon the creative potential of error and ambiguity
Features scholars and practitioners from a broad range of disciplines
Explores the idea that mistakes are a fundamental route to new knowledge
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Table of contents (13 chapters)
Keywords
About this book
Editors and Affiliations
About the editors
Sarah Whatley is Professor and Director of the Centre for Dance Research at Coventry University, UK. Her research interests include dance and new technologies, dance analysis, somatic dance practice and pedagogy, and inclusive dance practices. She is co-editor of Digital Echoes: Spaces for Intangible and Performance-based Cultural Heritage (2018) and is editor of the Journal of Dance and Somatic Practices.
Bibliographic Information
Book Title: Error, Ambiguity, and Creativity
Book Subtitle: A Multidisciplinary Reader
Editors: Sita Popat, Sarah Whatley
DOI: https://doi.org/10.1007/978-3-030-39755-5
Publisher: Palgrave Macmillan Cham
eBook Packages: Literature, Cultural and Media Studies, Literature, Cultural and Media Studies (R0)
Copyright Information: The Editor(s) (if applicable) and The Author(s) 2020
Hardcover ISBN: 978-3-030-39754-8Published: 01 July 2020
Softcover ISBN: 978-3-030-39757-9Published: 01 July 2021
eBook ISBN: 978-3-030-39755-5Published: 30 June 2020
Edition Number: 1
Number of Pages: XVIII, 247
Number of Illustrations: 13 b/w illustrations, 28 illustrations in colour
Topics: Dance, Digital/New Media, Engineering, general, Medicine/Public Health, general, Performing Arts