Overview
- Examines the history of Polish popular music on screen from the 1930s to the present day
- Covers all major genres showing popular music: musicals, biographical films, documentaries and music videos
- Engages with the history of popular music and cinema at large, arguing for granting Polish screen media a more prominent place in this history
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Table of contents (10 chapters)
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Front Matter
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Polish Musicals: Themes, Styles, Ideologies
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Front Matter
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Biopics on Large and Small Screen
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Front Matter
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Music Documentaries
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Front Matter
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Back Matter
Keywords
About this book
This book examines the interface between Polish popular music and screen media against the background of Polish history, cinema, and popular culture and situates that interface in a local as well as global context. It looks at Polish musicals, biographical films about musicians, documentary films and, finally, music videos. The author draws attention to the immense popularity of musical comedies in Polish interwar cinema, the enduring appeal of musical genres during the period of state socialism, despite their low status in film criticism, and the re-birth of musicals in the 2010s. Mazierska also discusses the most important stars, directors and authors of songs presented in Polish films, and points to the effect of technological changes on inception and transformation of music-centred genres of screen media, including the effect of YouTube on their growth and preservation. The book is informed by the question of how parochial and universal is Polish popular music and its screen representation.
Reviews
“Insightful, informative, clearly written and thoroughly engaging, Mazierska’s book explores Polish musicals, biopics, music documentaries and music videos bringing to light a fascinating history unknown to non-natives, and under-researched in Poland. While explicitly national in its focus, the observations and points of analysis introduced call for further studies and comparative approaches of popular cinemas and music in other Europeanand World contexts. Thoroughly recommended both for its illuminating breadth and depth, and for the invitation to comparisons that it inspires. ” (Dr Lydia Papadimitriou, Reader in Film Studies, Liverpool John Moores University)
Authors and Affiliations
About the author
Ewa Mazierska is Professor of Film Studies, at the University of Central Lancashire, UK. She has published over thirty monographs and edited collections on film and popular music. They include Poland Daily: Economy, Work, Consumption and Social Class in Polish Cinema (2017) and Popular Music in Eastern Europe: Breaking the Cold War Paradigm (Palgrave, 2016). Mazierska's work has been translated into over twenty languages. She is principal editor of the Routledge journal Studies in Eastern European Cinema.
Bibliographic Information
Book Title: Polish Popular Music on Screen
Authors: Ewa Mazierska
DOI: https://doi.org/10.1007/978-3-030-42779-5
Publisher: Palgrave Macmillan Cham
eBook Packages: Literature, Cultural and Media Studies, Literature, Cultural and Media Studies (R0)
Copyright Information: The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerland AG 2020
Hardcover ISBN: 978-3-030-42778-8Published: 06 January 2021
Softcover ISBN: 978-3-030-42781-8Published: 07 January 2022
eBook ISBN: 978-3-030-42779-5Published: 05 January 2021
Edition Number: 1
Number of Pages: XII, 321
Number of Illustrations: 5 b/w illustrations, 18 illustrations in colour
Topics: European Cinema and TV, Music