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Palgrave Macmillan

Adaptation and the New Art Film

Remaking the Classics in the Twilight of Cinema

  • Book
  • © 2021

Overview

  • Provides a unique focus on film-to-film multiplicities in adaptation and remaking
  • Investigates the transnational art film remaking of films and books
  • Discusses the reuse of canonical films in the new art film

Part of the book series: Palgrave Studies in Adaptation and Visual Culture (PSADVC)

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Table of contents (9 chapters)

  1. Adapting a Classic Film

  2. Book/Film/Film Multiplicities

Keywords

About this book

Since the 1990s, the expropriation of canonical works of cinema has been a fundamental dimension of art-film exploration. Rainer Werner Fassbinder provides an early model of open adaptation of film classics, followed ever more boldly by the Coen Brothers, Chantal Akerman, Alex Carax, Todd Haynes, Florian Henckel von Donnersmarck, Baz Luhrmann, and Olivier Assayas. This book devotes chapters to each of these directors to examine how their films redeploy landmark precursors such as City Lights (1931), Citizen Kane (1941), Rome Open City (1945), All About Eve (1950), and Vertigo (1958) in order to probe our psychological, philosophical, and historical situations in a postmodern société du spectacle. In broadly diverse ways, each of these directors complicates received notions of the past and its representation, while probing the transformative media evolution and dislocation of the present, in film art and in society.



Authors and Affiliations

  • Department of Film, Media, and Performing Arts, State University of New York, New York, USA

    William H. Mooney

About the author

William H. Mooney is Professor of Film and Media at the Fashion Institute of Technology (SUNY) in New York City, USA, and Chairperson of the Film, Media, and Performing Arts department. Previous publications include Dashiell Hammett and the Movies (2014).




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