Overview
- Fills a gap in understanding how and why London West End revue was such an exciting, popular and influential form throughout the twentieth century
- Challenges previous theatre historiographies and calls for a new understanding of how popular musical performance forms operate
- Connects diverse popular theatre genres, and in doing so links revue to contemporary practices across theatre and performance today
Part of the book series: Palgrave Studies in British Musical Theatre (PSBMT)
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Table of contents (7 chapters)
Keywords
About this book
Authors and Affiliations
About the author
David Linton is a performer/theatre practitioner and senior lecturer in Drama at Kingston University, London, UK. His research explores issues of resistance, adaptation, and exchange in theatre. This focuses on participatory arts practice, black British performance and pre-modern popular theatre forms, and their contemporary applications, specifically mask/minstrelsy, pantomime, burlesque/neo burlesque, cabaret, pierrot, hip hop theatre, and revue.
Bibliographic Information
Book Title: Nation and Race in West End Revue
Book Subtitle: 1910–1930
Authors: David Linton
Series Title: Palgrave Studies in British Musical Theatre
DOI: https://doi.org/10.1007/978-3-030-75209-5
Publisher: Palgrave Macmillan Cham
eBook Packages: Literature, Cultural and Media Studies, Literature, Cultural and Media Studies (R0)
Copyright Information: The Editor(s) (if applicable) and The Author(s) 2021
Hardcover ISBN: 978-3-030-75208-8Published: 01 August 2021
Softcover ISBN: 978-3-030-75211-8Published: 02 August 2022
eBook ISBN: 978-3-030-75209-5Published: 31 July 2021
Series ISSN: 2946-4137
Series E-ISSN: 2946-4145
Edition Number: 1
Number of Pages: VII, 202
Number of Illustrations: 1 b/w illustrations
Topics: Theatre History, National/Regional Theatre and Performance, Performing Arts