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Staging the Past in the Age of Thatcher

"The History We Haven't Had"

  • Book
  • © 2018

Overview

Authors:
  1. Anthony P. Pennino

    1. Stevens Institute of Technology, Hoboken, USA

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  • Analyzes significant works by such writers as Caryl Churchill, David Edgar, Howard Brenton, Howard Barker, Tom Stoppard, and Edward Bond
  • Covers a variety of disciplines including literature, theatre, performance studies, cultural studies, British studies and Shakespeare studies
  • Offers a passionate argument as to why theatre is a critical component for a society to understand itself

Part of the book series: Palgrave Studies in Theatre and Performance History (PSTPH)

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Table of contents (7 chapters)

  1. Front Matter

    Pages i-ix
    Download chapter PDF

  2. Introduction: A Snowy Night in December

    • Anthony P. Pennino
    Pages 1-13

  3. Competing Histories

    • Anthony P. Pennino
    Pages 15-52

  4. Plays of the First Thatcher Ministry: “To the World’s End. To the Churchyard Grave”

    • Anthony P. Pennino
    Pages 53-119

  5. Plays of the Second Thatcher Ministry: “Demolition Needs a Drawing, Too”

    • Anthony P. Pennino
    Pages 121-170

  6. Plays of the Third Thatcher Ministry: “I Shall Destroy Your Power to Resist”

    • Anthony P. Pennino
    Pages 171-201

  7. Plays of the Two Major Ministries: “Let Them See We Are Happy!”

    • Anthony P. Pennino
    Pages 203-229

  8. Conclusion: May 2, 1997 and Beyond

    • Anthony P. Pennino
    Pages 231-239

  9. Back Matter

    Pages 241-251
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Keywords

About this book

This book investigates how the British theatrical community offered an alternative and oppositional historical narrative to the heritage culture promulgated by the Thatcher and Major Governments in the 1980s and early 1990s. It details the challenges the theatre faced, especially reductions in government funding, and examines seminal playwrights of the period – including but not limited to Caryl Churchill, Howard Brenton, Sarah Daniels, David Edgar, and Brian Friel – who dramatized a more inclusive vision of history that gave voice to traditionally marginalized communities. It employs James Baldwin’s concept of witnessing as the means by which history could be deployed to articulate an alternative and emergent political narrative: “the history we haven’t had”. This book will appeal to students and scholars of theatre and cultural studies as well as theatre practitioners and enthusiasts.

Reviews

“Pennino’s smart, well-researched study of theater during the age of Margaret Thatcher and her successor, John Major, demonstrates how serious playwrights—Caryl Churchill, David Edgar, Howard Barker, Howard Brenton, David Hare, Tom Stoppard, Timberlake Wertenbaker—created ‘oppositional history plays’ that offered a starkly different version of British history and contemporary life than was promulgated by government propaganda, the press, and the wildly popular musicals of Andrew Lloyd Webber. … Summing Up: Highly recommended. Upper-division undergraduates through faculty and professionals.” (M. S. LoMonaco,Choice, Vol. 57 (9), 2020)

Authors and Affiliations

  • Stevens Institute of Technology, Hoboken, USA

    Anthony P. Pennino

About the author

Anthony P. Pennino teaches literature, theatre, and cinema at Stevens Institute of Technology, USA. He works primarily on post-war American, British, and Irish playwrights, and has published on August Wilson and William Shakespeare. He is especially interested in political theatre as well as contemporary performance and adaptation of Shakespeare’s canon.

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