Overview
- Charts how French film policy has evolved to adapt to the advent of digital distribution
- Considers whether the cultural exception is justifiable in the digital age
- Identifies why trade in film still represents a stumbling block for international negotiations
Part of the book series: New Directions in Cultural Policy Research (NDCPR)
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Table of contents (8 chapters)
Keywords
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Bibliographic Information
Book Title: Cultural Diversity in the French Film Industry
Book Subtitle: Defending the Cultural Exception in a Digital Age
Authors: Sarah Walkley
Series Title: New Directions in Cultural Policy Research
DOI: https://doi.org/10.1007/978-3-319-96923-7
Publisher: Palgrave Macmillan Cham
eBook Packages: Literature, Cultural and Media Studies, Literature, Cultural and Media Studies (R0)
Copyright Information: The Editor(s) (if applicable) and The Author(s) 2018
Hardcover ISBN: 978-3-319-96922-0Published: 02 October 2018
Softcover ISBN: 978-3-030-07273-5Published: 20 December 2018
eBook ISBN: 978-3-319-96923-7Published: 22 September 2018
Series ISSN: 2730-924X
Series E-ISSN: 2730-9258
Edition Number: 1
Number of Pages: XI, 278
Number of Illustrations: 17 b/w illustrations
Topics: Cultural Policy and Politics, Media Policy, European Cinema and TV, Film/TV Industry