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Palgrave Macmillan

Irish Theatre in Transition

From the Late Nineteenth to the Early Twenty-First Century

  • Book
  • © 2015

Overview

Editors:
  1. Donald E. Morse

    1. University of Debrecen, Hungary

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Table of contents (17 chapters)

  1. Inventiveness and Expanding the Stage

    1. Writing for ‘the real national theatre’: Stewart Parker’s Plays for Television

      • Clare Wallace
      Pages 216-229

    2. Playing with Minds: Beckett on Film

      • Dawn Duncan
      Pages 230-238

  2. On the ‘Re-Foundation’ of the Irish Theatre

    1. Front Matter

      Pages 239-239
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    2. Sam Shepard, Irish Playwright

      • Stephen Watt
      Pages 241-256

  3. Back Matter

    Pages 257-265
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Keywords

About this book

The Irish Theatre in Transition explores the ever-changing Irish Theatre from its inception to its vibrant modern-day reality. This book shows some of the myriad forms of transition and how Irish theatre reflects the changing conditions of a changing society and nation.

Editors and Affiliations

  • University of Debrecen, Hungary

    Donald E. Morse

About the editor

Csilla Bertha, University of Debrecen, Hungary Dawn Duncan, Concordia College-Moorhead, USA Joan FitzPatrick Dean, University of Missouri-Kansas City, USA Nicholas Grene, Trinity College Dublin, Ireland Peter James Harris, State University of São Paulo, Brazil Eamonn Jordan, University College Dublin, Ireland Mária Kurdi, University of Pécs, Hungary José Lanters, University of Wisconsin-Milwaukee, USA Helen Heusner Lojek, Boise State University, USA Patrick Lonergan, National University of Ireland-Galway, Ireland Donald E. Morse, University of Debrecen, Hungary Christopher Murray, University College-Dublin, Ireland Ond?ej Pilný, Charles University, Czech Republic Clare Wallace, Charles University, Czech Republic Stephen Watt, Indiana University, Bloomington, USA EricWeitz, Trinity College Dublin, Ireland

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